As an ethnomusicologist, performer, and educator, my academic journey has centered on the ways people use music and sound to create meaning and transformation. At UCLA, I earned my MA in Ethnomusicology, with a thesis that critically explored Western devotional kirtan practices. I then went on to earn my PhD in Ethnomusicology from UCLA, where my research focused on music, ritual, and authority in Balinese shadow puppet theater, examining how musical traditions evolve within changing cultural, political, and social contexts. For the past 20 years, I have continued to focus on the intersections of religion, gender, and cultural politics in Indonesian performing arts, publishing articles such as “Bamboo Angklung: Incorporating Indonesia into the Music Education Classroom” in Music Educators Journal and “A Balinese ‘Call to Prayer’: Sounding Religious Nationalism and Local Identity in the Puja Tri Sandhya" in Religions, along with several other papers with the Smithsonian Institution. I have presented my work at national and international conferences and symposia.
As a Teaching Professor of Ethnomusicology at the University of San Diego, I instruct courses in global music, music and religion, and music and healing. I direct the university's gamelan ensemble and lead study abroad programs on Religion and the Performing Arts in Bali. This program is one of my favorites, as it brings students directly into the ritual, artistic, and musical world I've spent my career studying.
Beyond the classroom, I work as a teaching artist with the Center for World Music, as pre-concert lecturer for the La Jolla Music Society's Global Roots Series, and I am the vice president of the Southern California and Hawai'i Chapter of the Society for Ethnomusicology. I've developed outreach programs for K-12 schools, collaborated with museums and international music festivals, and performed internationally, including touring with the Indonesian pop band the Dangdut Cowboys under the U.S. State Department's invitation.
I am also a yoga teacher and sound bath facilitator, and my 2026 Religions article “Beyond the Crystal Bowl: Ethnomusicology, Spiritual Transformation, and the Modern Sound Bath,” brings my training as an ethnomusicologist into conversation with spirituality, tradition, wellness, and embodied experience. Together, these two sides of my work reflect my belief that music and sound are powerful ways of understanding ourselves and the world, building connections across cultures, and creating possibilities for transformation, connection, and healing.
See more of my publications below!















