CV/Resume

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Publications

2017 “The Tri Sandhya: Politics and Sound in a Balinese Display of Religiosity.” In Proceedings of the 4th Symposium of the ICTM Study Group on Performing Arts of Southeast Asia, edited by Patricia Matusky and Wayland Quintero, 207-210. Penang: Universiti Sains Malaysia.

Meghan Hynson

2016 “Indonesian Angklung: Intersections of Music Education and Cultural Diplomacy.” In Performing Indonesia, edited by Andy McGraw and Sumarsam. Washington D.C.: Smithsonian Institution. http://www.asia.si.edu/research/performing-indonesia/article-hynson.php

2016 “Review of CD set Longing for the Past: The 78rpm Era in Southeast Asia” (Atlanta: Dust to Digital, 2013). In Bring the Noise (Ethnomusicology Review’s “Sounding Board”). http://ethnomusicologyreview.ucla.edu/content/review-longing-past-78-rpm-era-southeast-asia

2015 “From Tradisi to Inovasi: Music, Power, and Change in Balinese Shadow Puppet Theater.” In Proceedings of the International Council for Traditional Music 3rd Symposium for the Performing Arts of Southeast Asia, Bali, Indonesia, 202-208. edited by Mohd. Anis Md. Nor. Denpasar, Bali: ISI Denpasar.

2015 “Modern Expressions of Taksu: Music, Innovation and Charismatic Authority in the Balinese Wayang Cenk Blonk.” In Music and Cultural Studies Conference, 2015, Istanbul Turkey, 295-303. Istanbul: Istanbul Technical University.

Manuscripts in Submission

2017 “Angklung in the 21st Century: Innovation, Tourism, and Cultural Diplomacy at Saung Angklung Udjo,” Ethnomusicology Review

2017 “Review of Brita Heimarck, Gender Wayang Music of Bapak I Wayan Loceng from Sukawati, Bali.” (Middleton, WI: A-R editions, 2015). In Asian Music.

Manuscripts in Preparation

2017 “Gending Tri Sandhya: Politics and Gender Wayang Music in a Balinese ‘Call to Prayer’”

Conference Presentations

2017 (upcoming) “Gending Tri Sandhya: Politics and Gender Wayang Music in a Balinese ‘Call to Prayer’” To be presented at the 62nd annual meeting of the Society for Ethnomusicology National Conference, Denver, Colorado, October 26

2017 “Gending Tri Sandhya: Politics and Gender Wayang Music in a Balinese ‘Call to Prayer.’” Presented at the 2017 Mid-Atlantic Chapter of the Society for Ethnomusicology Conference, Cornell University. March 12

2016 “Repurposing Angklung in the 21st Century: Education, Tourism, and Cultural Diplomacy at Saung Angklung Udjo.” Presented at the 61st annual meeting of the Society for Ethnomusicology National Conference, Washington, D.C., November 11

2016 “A Balinese ‘Call to Prayer’: Music, Religiosity, and the Tri Sandhya.” Presented at the 5th Symposium for the Performing Arts of Southeast Asia, Penang, Malaysia, August 5

2015 “Modern Expressions of Taksu: Music, Innovation and Charismatic Authority in the Balinese Wayang Cenk Blonk.” Presented at the 60th annual meeting of the Society for

Ethnomusicology National Conference, Austin, Texas, December 4 and at the MUSICULT’15 Conference, Istanbul Technical University, Istanbul, Turkey, May 7

2014 “From Tradisi to Inovasi: Music, Power, and Change in Balinese Shadow Puppet Theater.” Presented at the International Council for Traditional Music 3rd Symposium for the Performing Arts of Southeast Asia, Bali, Indonesia, June 14

2013 “Indonesian Angklung: Intersections of Music Education and Cultural Diplomacy.” Presented at the Indonesian Festival of Music and Dance, Smithsonian Institute, Washington D.C.. November 3

2012 “Indonesian Angklung and its Application in World Music Education.” Presented at the 57th annual meeting for the Society for Ethnomusicology, New Orleans, November 1

2011 “Angklung Sebagai Alat di Dalam Bidang Musik Etnis Terapan” (Angklung as a

Tool in the Field of Applied Ethnomusicology). Paper presented at the final conference of the Consortium for the Teaching of Indonesian /COTI summer program. Universitas Kristen Satya Wacana, Salatiga, Java, Indonesia, August 11

2011 “Kirtan in Los Angeles: Modern Musical Expressions of Bhakti.” Presented at Asia In LA 2011: Musical Measures of Asia conference, UCLA, May 21

2011 “The Spirit of Change in the Kirtan Culture of Los Angeles.” Presented at the

annual meeting of the Society for Ethnomusicology Southern California and Hawai’i Chapter, Azusa Pacific University, February 20

2010 “Integrating Outreach into the University World Music Education Classroom.” Presented at the 55th annual meeting for the Society for Ethnomusicology, Los Angeles, November 11

2010 “Music in Translation: Balinese Worldview and the Teaching of Balinese Music in America.” Presented at the Art in Translation Conference in Reykjavik, Iceland, May 29